Various types of instruments in the inventory of Iban cultural music
Keywords:
Bards, Gongs, Instrumental, Percussion, Ensemble, Distinctive, Improvise, PredominantAbstract
This paper aims to examine the inventory of the cultural and musical heritage of the Iban people in Sarawak and emphasized the types of instruments played. The study synthesized that the Iban traditional music is percussion-oriented, consisting of various types of percussion ensembles such as gongs, drums, stringed instruments as well as wind instruments. There are 18 instruments discovered through field work, structured interviews, survey, questionnaires consisting of free-response questions, observation with check-list and document analysis. Findings show that these cultural musical instruments are three gongs (engkerumung, bebendai and setawak), five drums (gendang, ketebung, rebana, tar and tengkuang), seven stringed instruments (balulin, belikan, engkeratung, engkerebab, serunai, ruding and sape) and three wind instruments (engkerurai, enserunai and ensuling). Most sadly it has been discovered that today, unfortunately very few younger people know how to play belikan, engkeratung, engkerebab, serunai, ruding and engkerurai and the art of playing these instrument is rapidly dying out. Significantly, the Ibans should cultivate the skills and inclinations of playing these stringed and wind instruments otherwise this traditional and cultural musical art will be swallowed by the era modernization in the music industry.
References
Vinson and Joanne Sutlive, J. (2001). The Encyclopeadia of iban studies. Vol.2. Kuching: The Tun Jugah Foundation
Richards, A.J.N. (1981). An iban-english dictionary, Kuala Lumpur: Penerbit Fajar Bakti Sdn Bhd
McKeown, Francis Alexander. (1983). The merakai iban: an ethnographic account with special reference to dispute settlement. Monash University. Unpublished PhD thesis.
Sather, Clifford. (1994). “Introduction: sources of iban traditional history”. Sarawak Museum Journal Special Monograph No.7. Vol. XLVI (67)
Sandin, Benedict. (1978). “The iban of sarawak”. The Sarawak Museum Journal. Vol. 21. No. 42
King, Victor T. (1975). “Ethnographic data on the iban on the embaloh region in west kalimantan”. Sarawak Gazette. CI. Kuching: Sarawak Printing Press.
Numpang, Jabu. (1980). “Keynote Address on ‘The Culture of Sarawak: An Overview”. The Sarawak Museum Journal. Vol. 2
Vinson H, Jr. (1978). The iban of sarawak. Illionis: Arlington Heights
Janang, E., Robert, M. S., Joane, V. S., and Vinson, H. Sutlive Jr. (2016). A comprehensive iban-english dictionary. Kuching: The Tun Jugah Foundation
Cadar, Usopay and Robert Garfias. (1996). "Some principles of formal variation in the kolintang music of the maranao." Asian Music. Vol. 27, No. 2.
Otto, Steven W. (1996) "Repertorial nomenclature in muranao kolintang music" Asian Music Vol. 27, No. 2.
Scholz, Scott. (1996). "The supportive instruments of the maguindanaon kulintang music." Asian Music XXVII.2
Kalanduyan, Danongan S. (1996). "Maguindanaon kulintang music: instruments, repertoire, performance, contexts, and social functions." Asian Music XXVII.2
Terada, Yoshitaka. (1996). "Variational and improvisational techniques of gandingan playing in the maguindanaon kulintang ensemble." Asian Music XXVII.2
Cadar, Usopay (1996). "The role of kolintang music in maranao society." Asian Music Vol. 27, No. 2.
Matusky, Patricia. (1985) . "An introduction to the major instruments and forms of traditional malay music." Asian Music Vol 16. No. 2
Masing, James J. (1997). The coming of the gods: a study of an invocatory chant (timang gawai amat) of the ibans of the baleh river region of sarawak. Australian National University. Unpublished PhD thesis.
Schleisinger, Weiner. (1911). "Timbrel”. In Chisholm, Hugh. Encyclopædia Britannica (11th ed.). Cambridge University Press.
Worth, Jayson. (2012). "The almighty tambourine". Crandon Press: The Black Page.
Brink Clacforsyth, Cecil. (1919). "Castanets", Orchestration. London: Macmillan & Co
Karl Peinkofer and Fritz Tannigel. (1976). Handbook of percussion instruments. Germany: Mainz Schott
Schoenbaum, David. (2012) The violin: a social history of the world's most versatile instrument. New York : W.W. Norton & Company
Templeton, David, (2002). “Fresh prince: joshua bell on composition, hyper-violins, and the future”, Strings Magazine, October, No. 105.
Young, Diana. (2007). A methodology for investigation of bowed string performance through measurement of violin bowing technique. PhD Thesis. M.I.
Dave Black and Gerou, Tom (1998). Essential dictionary of orchestration. Kent: Alfred Publishing Co.
Ehsan Yar-Shater (2003). Encyclopædia Iranica. London: Routledge & Kegan Paul
Ruth K. Inglefield; Lou Anne Neill. (1985). Writing for the pedal harp: a standardized manual for composers and harpists. california: University of California Press.
Fox, Leonard. (1984). The jew's harp: A comprehensive anthology. Selected, edited, and translated by Leonard Fox. South Carolina: Charleston L. Fox.
Gallmann, Matthew S. (1977). The jews harp: A select list of references with library of congress call numbers. Washington, D.C.: Library of Congress
Kolltveit, Gjermund. (2006). Jew's harps in european archaeology. BAR International series 1500. Oxford: Archaeopress
Wright, Michael. (2015). The jew's harp in britain and ireland. Farnham Surrey: Ashgate
Carroll, Paul. (1999). Baroque Woodwind instruments. England: Ashgate.
Boehm, Theobald. (1964). The flute and flute-playing in acoustical, technical, and artistic aspects. Translated by Dayton C. Miller, with a new introduction by Samuel Baron. New York: Dover Publications.
Galway, James. (1982). Flute: Yehudi menuhin music guides. London: Macdonald.
Putnik, Edwin. (1970). The art of flute playing. evanston, illinois: Summy-Birchard Inc.
Vinson H, Jr. (1989). “The iban in historical perspective” . The Sarawak Museum Journal. No. 61. (Old Series).
Wye, Trevor. 1988. Proper flute playing: A companion to the practice books. London: Simmerick
Jensen, Erek. (1974). The iban and their religion. Oxford: Clarendon Press.
Gass, Robert. (1999). Chanting. New York: Broadway Books.
Published
PDF Downloads: 1724